April mess

Okay – everything is proving to be extremely busy.

In the past week, that is, the final week of March 2018, over 15 sales have been made by me on eBay, including several international sales, but the profitability of said sales has averaged about -35%.  Looking at the data I have just slightly over $200 in payments received [people buying things], and $310 in costs associated with those orders, from fees (about $45 total between PayPal and eBay) to a few key shipping supplies (roughly $25) to the shipping costs themselves, which are higher in some cases than expected. Plus side is, if I work my butt off, I did sell several copies of the new stock media in there too, so I might come out of this madness with some positive ratings related to that product line and related to other sold items, if I work every waking hour the next 8-10 days.

So I’ll simply admit that I’ve botched this, if ‘this’ was an attempt to raise funds for completion of Miniature Multiverse or any of the other projects I’m aiming for.

The process has been good insofar as I’ll be clearing out a ton of books, and a few other items, to people who will actually appreciate those items, although paring my collection down to a minimum wouldn’t be *necessary* in the first place if my family weren’t planning on moving me and everything else to Pittsburgh by the end of 2018.

Yeah, that’s the other thing – we’re relocating to Pennsylvania. I am. Scott and Margaret are too. We’ll be there with my sister Katie and her kids. I think this moving process is intensely stressful; lots of cleaning things up, deciding what to keep,what to throw, moving to a location where my work space will be limited and three adorable but noisy/hyperactive children will be running around as well. Nice new house, nice yard and neighborhood but I have difficulty not being frustrated with this during the transition process as this altogether is making productivity difficult during the transition, and might potentially detract from my creative work for years, or maybe make it better [who knows? It’s possible.].

So, ahem, anyway – all the current irritation and stress aside, what this means is each day in April I must [somehow] earn a few dollars transcribing, at sub-minimum wage, ship a handful of still-unshipped items, and do hours of cleaning in my room and the garage on top of all that. And, yes, somehow I’m scrambling to figure out a way to shoot a final video project with my Houston friends, which is now likely to be in May because April is crazy in terms of the sheer workload, and I am not being permitted to adjust my sleep schedule accordingly.

That’s the same-old, same-old though and not really new – I cannot break free of my family’s rules because I’m not 100% financially independent and I’m unable to be financially independent largely due to their somewhat arbitrary and constrictive rules. I am 31 and despite enormous effort, my life is still going nowhere except an aggravating downward spiral of depression and frustration [and existential ennui?]  and a general emotional and psychological sense of being trapped and running out of time.

So, yeah. That. It’s why I may be late shipping a number of the eBay orders, late as in up to a week of delays. There is no practical way to avoid this. I simply need to somehow earn nearly an extra $100 or so over the next week in the scattered hours when I actually have a chance to. Only then can *all* of the items I sold in the past week be shipped.

New VFX stock footage .GIFs!

All of the video archives in the ‘Stock Footage’ section of TriumphantArtists.com, now have little .GIF previews so you can see what you’re downloading before downloading it.

Here are some great examples of this, in the ‘pyrotechnic’ category:

 

HD pyrotechnic stock footage

All of this is free and royalty-free and you can use it in your own video projects.  Please, however, don’t try to sell the content or pass it off as your own work.  You can, however, redistribute it for free by sharing links to TriumphantArtists.com.  Okay?

I have ordered a video camera capable of recording 720p HD video at 120fps.  That is, when played back at 30 fps, it’s 1/4 speed, slow motion footage.  So the blasts of fire and sparks will look HUGE but they’re really quite small – the nature of high-speed video means that at this framerate everything should move as if it were 16x larger.

The collection will be a modest batch of ‘zero-gravity’ pyrotechnics elements for all your indie sci-fi blockbusters.  These are also great for exploding aircraft shots and other explosions that are in the air.

I’m shooting these essentially the same way Hollywood would, but with somewhat cheaper supplies on a smaller scale, and no salary involved.

There’s a little remotely triggered bundle of explosive material, ignited electrically from a switch & radio setup – when the switch is flipped, the radio signal activates an electrical charge and that ignites/blows apart the rest of the materials like coffee creamer, debris chunks, etc.  The whole explosive rig is hanging beneath a fireproof black backdrop [Duvetyne cloth] and the surrounding area is sprayed in advance with Fire Gard, a fireproofing liquid, to minimize risk of other things catching on fire.  I’ll also have two fire extinguishers on hand, and three containers of water, two of them with spray nozzles, one is basically a large bucket.

I’ll be triggering this from a safe distance wearing a protective mask/goggles.  I’ve read up on relevant precautions and will do this as safely as I am able.

The ‘zero gravity’ recording will be captured with an HD camera and telephoto lens; these won’t be under the explosion for obvious reasons, so I’ll be using an acrylic reflecting surface [like a big cheapo mirror] positioned at a 45-degree angle directly under the blast, with the camera viewing and recording the reflection of the explosion off the surface.

I’ve plugged in the physics numbers for the sequences and can say fairly confidently that the main portion of each fire burst effect will last about 2.5-3.6 seconds when played back at 30fps.  Maybe some drifting smoke and haze after that but not much else.  There may be about seven or eight of them in all.  They’re, as I’ve said, small effects by necessity, but the high speed photography will help with that.

This recording effort may occur within 2-3 months, and other supplemental effects for a few of my video projects, a few months after that.  If the idea of highly affordable pyrotechnic and other useful video effects elements at under $1 per clip, sounds great, then by all means keep an eye on the TriumphantArtists.com stock media page.